In his article in the Art at JAMA Cole presents the work of Théo
van Rysselberghe who was born in Ghent and studied at the city’s Royal Academy
of Fine Arts. Van Rysselberghe was a
frequent visitor to Spain and North Africa, and the Mediterranean region at
large. In the course of his career as an artist, he was influenced by Paul
Signac, Georges Seurat, and Henri de Toulouse-Lautrec among others. In his painting of the Garden of the
Generalife in Granada, he demonstrates how visual perception changes when
an observer moves from the shade into bright sunlight. The color and symmetry of the garden draw one’s
attention, but on a hot summer day, lingering in the shade is so enjoyable as
all people who live in hot climates know.
The estates and gardens at Generalife were built in the 14th
century and it was a favorite retreat of the Emirs of the Alhambra who stayed there when
they in need of quiet time to reflect on state and personal issues. Its arcades enclosed
formal gardens with fountains and reflecting pools, and the songs of birds such
as nightingales were heard in its shady alcoves.
According to legend, a prince was
raised in the comfort and seclusion of the Generalife to prevent him from
falling in love until he reached a suitable age. One day he rescued a dove from a hawk, and in
return the dove told him of a princess in a secret garden surrounded by high
walls. Soon the prince was off to find her, the implication being that a life
of ease and beauty is no substitute for love.
JAMA. 2015;314(1):10-11
Courtesy of the
Fine Arts Museums of San Francisco (https://www.famsf.org/), San
Francisco, California; gift of B. Gerald Cantor, 1969
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Sunday, December 13, 2015
Garden of the Generalife in Granada
Tuesday, December 1, 2015
No need to print mammograms on films; FDA
An FDA communiqué to mammography facilities “said that printing breast
images to hard-copy film is no longer necessary and can be performed at the
discretion of individual centers”.
Over the past 20 years,
there has been significant evolution in mammography, with the shift from
screen-film to digital imaging being the most prominent change.
A total of 39 million
procedures were performed in the 8,737 mammographic facilities that were
accredited by the FDA as of Nov 1, 2015.
Today fewer than 350 screen-film units remain in use in the U.S. The
nearly universal availability of computers for viewing of digital images
diminishes the need for a facility to maintain a printer.
Today, with many
mammograms shared on computer media such as compact discs or via online access,
the provision of printed hard copies is becoming obsolete.
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